![]() ![]() “We have made it clear that the things we’re asking for are absolutely necessary,” Goodman said. WGA leaders have said that the studios must be willing to negotiate on the union’s entire agenda. The AMPTP has rejected both those ideas, saying that the latter amounts to a “hiring quota.” The WGA has a number of demands, including a streaming residual that would account for popularity of shows and a minimum number of writers per TV show, based on the number of episodes. They’ve got to figure out what is their strategy to end these strikes. “But it’s been what - 10 days of SAG being out? Twelve days? Let’s give them a minute. “There is no reason they can’t be talking to either one of us,” said David Goodman, co-chair of the WGA negotiating committee. Still, there has been no overture to the writers. The studios had previously said they couldn’t talk to the WGA because they were focused on talks with the Directors Guild of America and SAG-AFTRA.īut with a DGA deal complete and SAG-AFTRA on strike, the negotiating room at AMPTP headquarters is empty. “The last engagement we had on that point was the 12th of July when they said to us they don’t think they’d be ready to talk for quite some time,” Crabtree-Ireland said on a Zoom call on Tuesday with publicists. He has also said the studios have not reached out to him since talks broke off two weeks ago. “We’re on a break,” said one studio source, quoting a line from the TV show “Friends.”ĭuncan Crabtree-Ireland, the chief negotiator for SAG-AFTRA, has said repeatedly that he is willing to return to negotiations whenever the AMPTP is ready. Insiders expect that not much will happen for at least a few weeks, and maybe not until Labor Day. SAG-AFTRA began picketing on July 14, while WGA has been on strike for nearly three months. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |